In terms of being a professional, I want to be professional with everyone.

When I was a graduate student, I actually took a course in development economics and I thought it was the most boring thing in the world.

To insist that no one can support the interests of the aam aadmi without being one himself is like saying that no man can support women's rights.

So, I went to Harvard and I got exposed to American work habits. I didn't even realise for a while that I was behind. I kind of had the illusion that I was understanding things. But people worked so hard and the thing I learnt first in America was that people work incredibly hard.

Think about it: Every educated person is not rich, but almost every education person has a job and a way out of poverty. So education is a fundamental solution to poverty.

When I got back from London, I started with a new voice teacher in the experimental wing, who trained me to have my own artistry as opposed to forcing a technique upon me.

I wasn't a ballet baby. My first dance class was in an outdoor pavilion when I was three. It was called 'creative movement.' The teacher gave us chiffon scarves in beautiful colors. She turned on some music and said, 'Now go dance.' So for me, dance has always been about self-expression.

Nothing substitutes for a great education.