As a professional journalist, I've been interviewing people for almost thirty years. And the one thing I've learned from all those interviews is that I am always going to be surprised.

I think even a hero is someone who has sort of the flaw or imperfection of character. I remember Alice Walker saying that once - she'd written a novel about a civil rights hero, and it was someone who had this flaw, this central flaw.

I spent my whole life as a writer talking to just the average guy in Los Angeles and Latin America, talking to working people.

I come from a family of working people. My parents were Guatemalan immigrants who spent most of their lives in the service industry.

Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.

I discovered writing children's books was a way to keep living in my imagination like a child. So I wrote a number of books before I started 'Magic Tree House.' Then, once I got that, I never looked back because I could be somewhere different in every single book.

We need to get across the excitement and creativity of science. That it isn't just a list of facts that have already been discovered - but a process, a creative project, that you are generating ideas, testing them and looking for evidence.

All too often, legacy management practices reflexively perpetuate the past - by over-weighting the views of long-tenured executives, by valuing conformance more highly than creativity and by turning tired industry nostrums into sacred truths.