I don't attack any kind of script or shooting with some philosophy that is discernible even to myself. It might just be art and love: When I got my Academy Award for 'Virginia Woolf' in the middle of the Vietnam War, I said, 'I hope we can use our art for peace and love.'

The best thing that winning those Academy Awards things are - the best thing of it is that when I say some of my ideas, somebody's going to listen to it, and they'll preface what I say, 'Academy Award winner da-da-da-da-da.'

I am a Chicagoan. I feel like I've simply been on vacation for 10 years in Los Angeles. But Chicago is a real place, and L.A. is a motel.

Documentary people have to know that, particularly nowadays, they have to be on a mission. And part of the mission is to - is to be like good journalists: search for the truth, have an open mind, listen to as much as you can of different sides of things.

I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.

My passion stems from seeking world peace and finding how we can live together creatively rather than violently.

I had often sought for the peace there is in Christ, but I could not seem to find the freedom I desired. A terrible sadness rested on my heart. I could not think of anything I had done to cause me to feel sad; but it seemed to me that I was not good enough to enter Heaven, that such a thing would be altogether too much for me to expect.

In the years after World War I, blacks began to migrate to the North and its imagined freedoms in great numbers - 'Russian' came to mean a black who had rushed from the South.