My next project is to get back to that. Actually, to learn how to write poetry. I'm not kidding.

When Niki and I moved to Paris, there was also the challenge of Paris, an extremely daunting city.

I also had this mistaken dream, fantasy really - perhaps because I'm good at languages - of being able in both Italy and France to become someone else through my fluency in the language.

What I said about John was that he liberated me from my anxieties about writing in a correct, acceptable way.

There is nothing, not a thing, like the process of creating a character for the stage - you can't get it anywhere else. Unless you're totally method and spend six months living your life like your character for a film, the theater is the place to get that intense acting experience.

I have a different mentality when it comes to catering to a man, I just won't allow it. Don't get me wrong, I'll do for you but I'm not taking care of no man and catering to him for life; he better be bringing something to the table. I learned that from my mother and my grandmother.

I learned my values. It's better to be poor than to be beholden. Wealth is not the object of life. You should be polite as long as possible, and when you can't be polite anymore, don't run.

Everyone's films have done well of late. So when your film doesn't do well, you ask yourself, 'Oh, did I make a wrong choice?' And I strongly feel that it's your choices that make a good career. The track record has to be good.