I learned a lot about Ottoman court, and it was very Shakespearian in essence. Stories like the one in 'Hamlet' did happen several times in the 500 years of Ottoman history.

War and peace-making, human rights, humanitarian issues have become industries, but nobody looks closely at human greed, at the arms industry and the manufacture of landmines. Art has to take a wider view. The problems of Ireland are my problems, too.

The industry of political conflict is the biggest industry in Bosnia, and it is still not exhausted. What is needed is to replace these two industries - the industry of political conflict, the industry of human rights - with normal, creative walks of life.

The 21st century is significantly different from the 20th century. The old models will not hold anymore. More and more, we are one people on Earth. We need to share our problems.

There's no real road map to L.A. Everyone's journey is different. You have to persevere and be willing to put everything in it. You have to stick it out. I don't really have a safety net, but what I do is put myself in the best possible position to succeed by working hard. Also, be careful who you let into your life.

Inspiration is around you. Like, when I travel any country, be it Paris or London, while walking on the streets, the architecture, the restaurants all inspire me. Inspiration for design could be anywhere.

The history of exploration across nations and across time is not one where nations said, 'Let's explore because it's fun.' It was, 'Let's explore so that we can claim lands for our country, so that we can open up new trade routes; let's explore so we can become more powerful.'

My father was a really sharp cartoonist and filmmaker. He used to tape-record the family surreptitiously, either while we were driving around or at dinner, and in 1963 he and I made up a story about a brother and a sister, Lisa and Matt, having an adventure out in the woods with animals.