I had an interest in Scandinavian countries because I'd never seen snow.

People speak of the fear of the blank canvas as though it is a temporary hesitation, a trembling moment of self-doubt. For me it was more like being abducted from my bed by a clown, thrust into a circus arena with a wicker chair, and told to tame a pissed-off lion in front of an expectant crowd.

Most writers are drawn to what is unknown, rather than what is clear in any tale.

I really hate the term 'historical novel' - it reminds me of bodice-rippers. But I'm hooked on research, and I really, really enjoy it.

The rules of game shows limit stuff so much. I remember on 'Money From Strangers,' being in the van - not even performing - and there was a lawyer there the entire time. 'No, you can't give money for that. Yes, you can give money for that. That's a partial answer. That's a full answer.'

Growing up, we didn't have any money - we shopped where you picked your shoes out of a bin. When I was little, I said, 'When I grow up, I'm going to have nice shoes.'

I had lost my way for some time, so I need to do things that I am happy with. It's not about being the number one heroine or money. It's about doing roles that I enjoy. My biggest ambition is happiness.

Sound public finances are the essential foundation on which to construct a better-balanced economy from the wreckage of Labour's boom and bust. But it is economic growth that will create the jobs and the prosperity for the future and enable us to pay down Labour's debt.