That professionalism comes from what I've watched people do on the set. I'm just trying to be as respectful to the environment, as they have been. I think I still act like a kid. I just try to be as professional as I can.

My favorite place is Central Park because you never know what you're going to find there. I also like that when I look out the windows of surrounding hotels, it's seems like I'm looking out over a forest.

One challenge in this industry is that you adopt a certain look for a movie, and then people don't get to see the movie for a year!

Every character I approach, from 'Forrest Gump' all the way up to 'The Spoils Before Dying,' has a different set of requirements and always fascinates me.

Never lend people money you can't afford to give them as a gift.

My family home was a rented house in the East End of London. My parents could have bought it at one point, but they preferred to spend their money on holidays and theatre tickets. It was strange to see it handed on to someone else when my father passed away.

New York as an industry is the best city for real estate. You're in a very transparent market. If you need to liquidate, you make three phone calls and you could sell something, even in the worst market. It is also less forgiving; if you make a mistake you can lose money.

The buying power of clubs is very different. You can't sign players if you don't have money, and if there is no money, that's it. As a player, there's nothing you can do.