The Disaster Artist' book is the peak of my career in many ways, but there's something so rewarding about creating something from scratch.

The only reason I came to L.A. in the first place was to tell stories and make movies. Whatever way you can do that - if you can do that - at whatever level, that's rewarding.

I didn't think 'The Room' was going to really go anywhere. But you know, in the back of your mind, you hope that any project you do is going to to go somewhere.

I learned with 'The Disaster Artist,' when I was writing the book, the audience will follow you if you really try to do something different. The biggest thing is, you want to be genuine and try to surprise your audience with kind of a new direction.