I was adopted by a Salvadorian mother and a white father. Growing up having complete identity crisis. Then my search for my mother and trying to find out why I was given up, and how could a mother give up a child, then finding out the circumstances of my birth was pretty traumatizing.

Beyond the Lights' was my fourth film. I gained a lot of knowledge, and I'm excited to share that with young filmmakers because I know how lost I was coming out of film school with that question of 'What's next?'

Talent has no gender. People are hiring young male directors right out of film school, off of a student film or off of a film at Sundance for millions of dollars. You can do the same with a female. It's not a risk about the work if you respect the film that they made.

There's a great deal of women in film school. I was not the only woman in my class at UCLA. When I went through the Sundance program, it was half women and half men.

Nothing speaks louder than an evocative photograph that stirs the imagination, tugs at the heart strings and engages the mind.

The writer and the director are ultimately responsible for what is portrayed and glorified in a film. Then comes the producer.

Negativity is the enemy of creativity.

When I'm writing, I'm thinking about how the songs are going to play live. Fifty bars of rap don't translate onstage. No matter how potent the music, you lose the crowd. They want a hook; they want to sing your stuff back to you.