I'm really open-minded, musically. The credo I ascribe to is, 'Take care of the music, and let the rest take care of itself.' Growing up, I was a sponge and soaked up everything I was exposed to.

When somebody uses a word as a genre distinction, all it really does is trigger certain experiences, or music, that somebody's been exposed to. But that's an individual thing; there's no sort of universal understanding of what jazz is.

I think the main focus as a musician should be to play the music you love to play, and the rest is going to come naturally.

I think I knew I was going to be a musician for the rest of my life kind of early. When I was in third grade, I was playing in a talent show, and my dad wrote a two- or three-minute boogie-woogie piece. I played it, everybody loved it, and I was like, 'Wow, this is great.'