For the division of labor demands from the individual an ever more one-sided accomplishment, and the greatest advance in a one-sided pursuit only too frequently means dearth to the personality of the individual.

Every superior personality, and every superior performance, has, for the average of mankind, something mysterious.

Discretion is nothing other than the sense of justice with respect to the sphere of the intimate contents of life.

Cities are, first of all, seats of the highest economic division of labor.

My first contract with WCW was, like, $70,000 a year. I didn't know you could make that kind of money doing this. I was like, 'Wow. I think I'm going to stick around for a long time.'

Statistically, I'd say comedy writers are perhaps the sanest category of show people. And why not? They make big money, and although it's not an easy trade - particularly when you're at your galley oar five days a week - it's easier on the nerves and the psyche than living with the brain-squeezing pressure and cares of being the Star.

I started the company in 1986, but we didn't have the money to do a show until '92.

All of our movies are lower budget, and that makes them more interesting, too: we have to come up with solutions other than throwing money at problems.