I loved making 'The Hunger Games' - it was the happiest experience of my professional life. Lionsgate was supportive of me in a manner that few directors ever experience in a franchise: they empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results.

If you look at the opening of 'Private Ryan,' you are so in the point of view of those guys and there is a whole world swirling all around them. You are learning that geography as they are learning it.

You can drain the life and nuances and complexity out of things by homogenizing them to make everything harmoniously dull, flat, conflict-free, strife-free.

Really, each era has its own false nostalgia. We all put a picket fence up around something. For my generation it was the '50s, and for other generations it will be something else. Change is scary for everyone, as is complexity, contradiction, and an uncertain future.

I'm totally obsessed with Tilda Swinton. She has this strange, beautiful sexiness about her. I love everything she does. And I love her hair. It was a little bit of an inspiration for mine.

When I became a parent and hit my thirties, I got my hands on an acoustic guitar. I started writing quiet, simple songs at home and, with a little encouragement, I got more courage and found my voice. I have people and movements who have inspired me to carry on, but I try to write about things I know, nothing too complicated, really.

I find a lot of inspiration in street style and watching women walk, the way they wear things and what they're wearing.

Being one of my sources is exhausting. It's not one interview and you're done. I keep going back until I feel like I understand everything.