When you write for a comic series, many superheroes have 60 or some years of history that you are coming into.

Sometimes, by using the most over-the-top, ridiculous plot device you can imagine, you get some interesting little conflicts and cool things that you might not otherwise have a chance to explore.

Ninety percent of the comic books I've written in the past had little or nothing to do with Islam.

In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic novels, you're writing haiku-length dialogue. Your job is to be efficient, to get out of the way of the art.