Even though I try not to overthink and dress the way I want to, I admit that there's way too much pressure on female actors to look good. I'm well aware that I don't have the perfect body type. I'm constantly struggling with myself to achieve the perfect body.

There are times I try to look older. And then there are times I look too young.

Everyone's films have done well of late. So when your film doesn't do well, you ask yourself, 'Oh, did I make a wrong choice?' And I strongly feel that it's your choices that make a good career. The track record has to be good.

I have my way of dealing with lows in my career: I just go on a holiday. Coping with a failure of a film is like coping with a break-up. It's sad and heart-breaking, and it's not like I got over it right after my holiday; it took me some time.

If I could embed a locator chip in my child right now, I know I would do that. Some people call that Big Brother; I call it being a father.

At the age of 6, a teacher full of ambitions, who taught in the small public school of Biran, convinced my family that I should travel to Santiago de Cuba to accompany my older sister who would enter a highly prestigious convent school. Including me was a skill of that very teacher from the little school in Biran.

I wanted to own a junk yard as a child, you know. I used to smash cars and think, 'Oh, my God, there's been an accident.' My mother would take me to junk yards, and I look back on that and I think, 'Wow, that was really loving.'

A friend suggested that I get a job at a children's book store so I could meet kids and read books, and that turned out to be the single best bit of advice I've ever gotten.