I look at some of my fans at my show, and a lot of them look like they're straight out of a punk rock show. They like what I'm coming across with. I had seen them same thing when I went to this Scarface show, so it lets me know that I'm on the right track.

Coming up in America in the '80s and '90s, we were not too far removed from slavery. People forget that.

Gary is a old factory town right outside Chicago. From my standpoint, my family migrated there in the '50s and '60s from Mississippi - Sardis, Mississippi - shout out to Sardis, Mississippi. My family migrated there just like a lot of black families in that area: they migrated there to get jobs, to get those factory jobs, that steel mill job.

I study my competition for at least an hour a day. I get on the Internet, I look at what they doing, and then I look at ways to defeat them. I know their mixtapes track-by-track. I know some of their lyrics.

In Israel, a land lacking in natural resources, we learned to appreciate our greatest national advantage: our minds. Through creativity and innovation, we transformed barren deserts into flourishing fields and pioneered new frontiers in science and technology.

I think the music that I'm writing and the stuff I'm going to do as I age will age.

There's music every day. I don't think I could write without it. Not that I listen while I'm writing. It's more hearing a piece of music that I want to somehow convert into prose, as a creative inspiration.

The desk thing is a problem for me. The ideal one would be vast and perfectly clear. Yet the bane of the biographical existence is paper; if you're 'an artist under oath' you're writing from a mountain of documentation.