I've always been a strategy kind of guy. I like laying things out and having a plan. Maybe not always a plan, but an approach and a vibe.

I've got an incredible family that I never get to see. I've missed so much. They know how much my career means to me, and they allow me to go and be the workaholic that they never get to see. They support me in that.

My biggest turn-on is a fine pair of athletic legs. A girl with a fine pair of athletic legs who is not afraid to show them off. Turn-offs? A girl who doesn't like country music is a huge turn-off, and girls who don't take care of themselves.

I'm always moving like a kid. I'm always bouncing around and never sit still.

How much money you get, depends on lots of extraneous things. It depends on how good you are at turning poetry into a marketable product, which is something it was never supposed to be. That's why many people suppose that the better the poet you are the lower your income should be, and that's probably true.

I'm not driven by money and I'm not driven by career.

When I was playing, all my overseas trips were paid for by the LTA, then by my coach, and from whatever prize-money I made I would have to pay back as much as I could of the fare. Only once that was paid could I keep the extra, and that was a powerful incentive.

My great-great-grandfather, who made his money in the jute trade, had at one time 600 houses in London, and within three generations, the money was gone.