I grew up in New Orleans. I had just moved into my dorm at the University of New Orleans, and I was doing laundry, and my mom called me, like, 'We've got to evacuate. There's a hurricane's coming.'

Boys do cry, but I don't think I shed a tear for a good chunk of my teenage years.

When I was growing up, there was nobody in my family - not even my mother - who I could look to and be like, 'I know you've never said anything homophobic.' So, you know, you worry about people in the business who you've heard talk that way. Some of my heroes coming up talk recklessly like that.

I feel like I was writing as I was learning to talk. Writing was always a go-to form of communication. And I knew I could sing from being in tune with the radio.

I can be fascinated with very little things. The clouds stimulate my imagination, and sometimes I just sit somewhere and go on dreaming for a long time. Your head is also a computer. When you're dreaming, you are simulating a world in which you are living.

When you're writing with an artist or for an artist, you have to help them serve their vision. That's the cool part about writing songs. There are no rules.

I worked as a writer, lead designer, and creative director in the game industry.

The writer is just so much more intimately involved in the television process than the feature film process.