I was terribly shy when I was growing up, I really wasn't confident with other people and I think I was always afraid of up or not being this very cool, amazing person that I wanted to be.

I've only half-admitted I'm a professional. I know I am, I've paid my dues, but one of the things I could do better when I'm acting is to really be rigorous and to think I know how to do it. To use my brain.

I'm still shy - I'm no good at my children's parent-teacher conferences, and I'm slowly learning how to ask for what I want. But I now know that I have a reserve of courage to draw upon when I really need it. There's nothing that I'm too scared to have a go at.

My dad had this philosophy that if you tell children they're beautiful and wonderful then they believe it, and they will be. So I never thought I was unattractive. But I was never one of the girls at school who had lots of boyfriends.

I started my career as a novelist. 'Veronica Mars' was first imagined as a novel.

There's still a massive inequality between the genders. If you look at the trajectory of a male actor's career, there's no hesitation or hiatus. But women after the age of 35 to 40 are rarely placed in the centre of the story.

Running my show is really like an actor being in repertory but where, in one day in one performance, you do scenes from a drama, a farce, a low comedy and a tragedy.

The entrepreneurial bug had already bitten my son Ankur by the time he got to college. As a lifelong entrepreneur, I certainly didn't want to dampen his enthusiasm by telling him he couldn't do it, but I also wanted to make sure it was balanced with the proper attention to his studies.