Never Die Alone' is primarily a riveting genre film that neatly exhibits the director's growing assurance - Donald Goines would be proud.

Tina Fey, a performer and head writer for 'Saturday Night Live,' has deftly adapted Rosalind Wiseman's nonfiction dissection of teenage girl societal interaction, 'Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of Adolescence.'

Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.

The documentary 'Certifiably Jonathan' has engrossing moments in it. How can it not? It's got a great subject - the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting, and finally beautiful again. But it's not a great film.

I bought a lot of rubbish things that kids buy: skateboards and clothes and typical teenage stuff. And, as soon as I could, I wasted a lot of money on cars - BMW's mostly - for myself and my family.

To understand someone, find out how he spends his money.

You have to have a lot of money to go to college. It's not cheap.

At the end of the day, I look at it like this: pro wrestling is really hard on the performers, the luchadoras, and any time a performer is in a position to do something good for themselves and make money, I'm always happy to see that happen.