Never Die Alone' is primarily a riveting genre film that neatly exhibits the director's growing assurance - Donald Goines would be proud.

Tina Fey, a performer and head writer for 'Saturday Night Live,' has deftly adapted Rosalind Wiseman's nonfiction dissection of teenage girl societal interaction, 'Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of Adolescence.'

Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.

The documentary 'Certifiably Jonathan' has engrossing moments in it. How can it not? It's got a great subject - the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting, and finally beautiful again. But it's not a great film.

The similarity between my music and The Beatles' music is it has within it a very positive quality. It's woven with humor.

Comedy, we may say, is society protecting itself - with a smile.

When Katie Met Cassidy' is a romantic comedy about two very different women who find themselves uncontrollably drawn to one another. Issues of gender and sexuality play their part in the novel, but first and foremost, it's a fun, fast-paced love story.

My father was the king of the joke-tellers. I was so impressed as a child watching him, holding people in rapt attention.