When I wrote 'Home Safe,' I wanted to look at a number of things: the mystery and joy and pain of creativity. What happens when a vital safety net is suddenly removed. The difficulty some people have in growing up. The way a deep love can be as crippling as it is satisfying. But mostly, I wanted to look at the mother-daughter relationship.

I think conflict is one of the things that makes for a good story.

Writing is, of course, a solitary occupation. But for many writers, myself included, it's through writing that we make certain vital connections.

I like my house to feel like a place where I can just lie back and say, 'Ahhhhh, I'm home.'

Parents are sometimes a bit of a disappointment to their children. They don't fulfill the promise of their early years.

I'm a fan of 'Family Guy,' and I like watching the show.

Several elementary school teachers had described me as a 'future authoress or poetess.' Mother took me to meet Chicago's leading black librarian, who published a poem of mine in the magazine she edited for Negro children.

He's my father married to my sister. That makes me his son and his brother-in-law. That is such a moral transgression... I cannot see him. I cannot have a relationship with my father and be morally consistent. I lived with all these adopted children, so they are my family. To say Soon-Yi was not my sister is an insult to all adopted children.