A lot of the fiction I read growing up was post-war American, and not all of it centers on Manhattan, but around people of the Mad Men generation, people like John Cheever and, in more modern times, Don DeLillo, who I always mention.

I did throw a lot of eggs into one basket, as you do in your teenage years - 'I am buying these records, I am wearing this'. I did quite a bit of that. You have to do it, wear your stupid shoes, wear your stupid hair.

You try various things when you're growing up. I was an attache in the Foreign Service for a while and then I drove a bulldozer, but neither of those panned out for me so it had to be stand-up.

One thing that's coming up a lot is: are you as grumpy as you appear from this Black Books thing.

Anders Thomas Jensen and I had talked about making a movie which addressed the cancer issue, and we didn't want to make it heavy-handed. We wanted to do something which had a lot of hope in it. And then for some reason we came up with a romantic comedy.

When I do comedy, I lose all inhibition and introspection. I no longer care.

Steve Martin said that philosophy is good for comedy because it screws up your thinking just enough, and I agree with that. Being forced to see life's metadata is good training for looking for interesting angles on a topic.

There aren't plus-sized teens represented in film who aren't made the butt of a joke.