It was the beginning of our second career. We certainly had a full career - 15 years at it - before it came out, but 'Eliminator' had a tremendous impact on us and the people who listen to us.

Through the career, planned or unplanned - usually unplanned - we've taken different turns. And it's culminated in a worldwide following that's pretty substantial.

Vegas to me is a place like Hollywood or New York where you can walk around and people recognize you but it's like, hey, that's cool, and then we go on with our lives.

They sent us the script of 'Back to the Future III' and we wrote 'Doubleback' for it.

People can see that we are part of a tradition of absurd comedy, stretching from Spike Milligan and Peter Cook through to Monty Python and Vic Reeves. We're not like Ricky Gervais's hyper-real cringe comedy. We're at the other end of the scale, but there's room for the sillier stuff, too.

I'm on so late I'm definitely the last seconds of anyone's attention. So I just want to give them something dumb to laugh at, so they go, 'That's funny,' then fall asleep.

I love romantic comedies. When I am at home, and if I want to watch something, I would probably watch a romantic comedy.

Fifteen- to 30-year-olds are interested in all kinds of intelligent movies - it doesn't have to be a broad comedy or an action adventure for them to go see it.