As a kid, I was growing up in an era of celebration of the Civil War centennial, with a lot of 'Lost Cause' emphasis on the Confederacy. I used to play Civil War soldiers with my brothers as a child, and my older brother always insisted that he got to be Lee, and I got be Grant. I never knew that Grant won until quite some time had passed.

When I was growing up in Virginia, the Civil War was presented to me as glorious with dramatic courage and military honor. Later, I realized how death was central to the reality. It was at the core of women's lives. It's what they talked about most.

Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'

I lived in a world where social arrangements were taken for granted and assumed to be timeless. A child's obligation was to learn these usages, not to question them. The complexities of racial deportment were of a piece with learning manners and etiquette more generally.

Thor' has got several big battles in it, a reckless, headstrong young hero who has to confront his past and deal with a complicated relationship with his father, it has lots of savage Europeans hacking each other to death at various points, and all of this sounded very much like 'Henry V.'

AOL-Time Warner didn't want a WCW property on their platforms - being TNT or TBS or anything else - in any way, shape, or form, and that was the death nail.

The disembodied spirit is immortal; there is nothing of it that can grow old or die. But the embodied spirit sees death on the horizon as soon as its day dawns.

My first professional acting job was in 'Hair' during the Vietnam War. So I think I've always been drawn to projects with a social conscience.