It's a dirty little secret that I'm pretty self-conscious about coloring my own work. I just see so many people who love color more than me that I get freaked out every time I hit Photoshop. Black and white? I know exactly what to do, but color offers a million solutions to problems I don't even know exist.

The point of view is the biggest problem with games, because what we play must be clearly presented in the best way for me to have an immersive game experience.

I have a traditional view of the afterlife... heaven, hell and judgments. But the accounts of those places are scant, and I believe it's on purpose. We aren't supposed to try to figure out the architecture of the afterlife, since the big game is here in this life.

Making modern games funny would be easy as pie if it was anybody's goal to actually make a funny game.

Statistically, I'd say comedy writers are perhaps the sanest category of show people. And why not? They make big money, and although it's not an easy trade - particularly when you're at your galley oar five days a week - it's easier on the nerves and the psyche than living with the brain-squeezing pressure and cares of being the Star.

When someone pitches a joke for a character that is just perfect, and you can imagine that actor reading that line at your table read or on the set, it's like the sound of a snap snapping into place.

I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.

Confidence and a good sense of humor can usually win a chick over.