I always liked photography in film - I studied photography growing up. I like the medium of film; I like physically holding 35-mm film. I like the way it looks, the quality when it's projected. I like the way it frames real life.

So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France.

The reality is, the movies that were most impactful to me growing up, when I decided I wanted to make movies, I was going to see Woody Allen double features with my brother, back when they had double features.

I'm really anxious not to repeat what I've done before, to keep pushing and learning.

I've always had this crazy thought that I have to win something; otherwise, my career's a complete failure. It's ridiculous. Will a trophy change me as a person? No. Will it make me a better player? No. So what the hell am I worried about?

My first significant break was when I was 15, going on 16, and my cousin Courtney 'Bear' Sills told me you can make a career out of writing songs. He was the one who put me in with 112. The first song I did with 112 was 'We Can Do It Anywhere.'

Like so many others, my military career was anchored by a calling to give back to a country that had given me so much.

I'm very conscious of the fact the directing career has taken some odd turns. Maybe there's enough bulk where I'm now pigeonholed in the 'eclectic box.'