I have always just made things. I don't see what I make as being defined by a medium or aesthetic. It probably comes more from a fundamental restlessness, an attempt to create tools for questioning or understanding, and I have always been interested in using a wide spectrum of mediums to do this.

Art is always a search for understanding, and the different levels and frequencies of that search feel completely comfortable and natural to me.

One of the core reasons for creating 'Station to Station' was to provide a space for exploration and cultural friction between different mediums. It should be natural for mediums like music, film and art to cross over, and we wanted to empower that process.

I think about museums often. There are things that I want museums to do that they often don't. For me, I like it when there's a system within the museum that can continuously change - whether it's a museum that is nomadic or one that's designed so the building can shape-shift. I like restless spaces, and I want to be engaged.

I'm embracing new technology to record my songs, and it's a wonderful way to interact with people who love Whitesnake and help spread the gospel of the 'Snake, and I'm having fun doing it.

I know the war in Iraq is controversial in the States, but for us in the Middle East it has made a great and significant impact.

I find it interesting that there are impostors out on the Internet pretending to be Werner Herzog.

In my first company, Seer Technologies, where I was chief technology officer, we shied away from the media. We watched every word and were guarded in front of journalists.