When you're critical of yourself and your play, you just look at your reads, you look at how fast you can get the ball out.

Obviously you try to learn from the past and your mistakes and how you can become a better player as well as a better person.

I think at times, too many people focus on just little things and not focus on what the whole question and the whole answer is.

Brian Dawkins, to me, in an era I played in, there were three, really four safeties where their numbers and their impact on the game stands alone.

A lot of women will be sort of 'competitive like a guy' in the workplace, but then when they go home, they realize that's not fully authentic for them. They would like to have a more expansive or more authentic relationship in the workplace around competition.

Dear disgruntled artists: the key to success isn't kicking down the door; it's building your own.

If I was to turn around now and say that motorsport should be segregated, then my whole career would have been for nothing. Every result that I have achieved on my own would stand for nothing, if I couldn't compete against male drivers.

The first play I ever did was with Michael Langham, Brian Bedford, and Colm Feore, at Stratford Festival. That was my first professional job, and I got to work with Garland Wright and so many great artists.