James Agate, a great critic of the day, advised me that the way to learn your job properly was to learn Shakespeare, so I went to Stratford. It really sorts out the men from the boys.

Whatever part I'm playing, I always carry with me something that's been used by an illustrious predecessor. I'm a great believer in a touching of hands. I have daggers belonging to Henry Irving and Sarah Siddons.

Being a non-swimmer, I've never been excited by the sea so avoid it on holidays.

You come across quite ordinary, nondescript people in daily life, and I don't see why you should be subjected to them on the stage, too.