Growing up, I was always enthralled by Ronnie Barker. He made my dad howl with laughter, which always intrigued me, and he had the rare gift of being as good a performer as he was a writer.

It's because finance is so baffling that makes being an economist such a safe option. It nestles down comfortably with psychiatry and astrology as a profession where getting it patently wrong is just not a problem - and also, rather wonderfully, seems to have no adverse affect on their professional standing whatsoever.

In my career, all my most important breaks have come from Edinburgh. Winning awards, being reviewed, bagging my BBCR4 series and the chance to tour has all come from Edinburgh, which begs the question, why the hell have I left it so long to come back?

As a parent, I often wonder what I should be encouraging my kids to do for a career.

I've never directed before, so I need to make sure that people know that I can. The movie that I've written, 'The Sophisticates,' is a... small ensemble comedy and I hope it's charming and funny.

If there's ever a woman who's smart, funny, or witty, people are afraid of that, so they don't write that. They only write parts for women where they let everything be steamrolled over them, where they let people wipe their feet all over them.

I love doing sitcoms. I love doing comedy. I love the whole shooting match.

The point with me is that it's always been, even with the stand-up, that the music has to be right. You have to take it seriously. You have to try and play it as faithfully as possible. That way it helps the comedy. Rather than just playing it in a silly way.