For me, I like to push myself... I hate feeling complacent or that I'm not learning.

Whether I'm doing a routine where I want to move people, or if I want to feel moved myself, I definitely tap into those moments where it's not just dancing or movement. It might just be a hand gesture or just a slow look, or even just the way you slightly tip your head forward. These subtleties speak volumes.

I never dreamed of dancing on television or anything like that. It's more of things that come along that excite me and inspire me.

When you're a choreographer and you put so much into a routine that's emotionally driven, those are like my ideas and my little babies that I have here and then I put them out there and they're there to be judged and looked at. When it's all over, it's just such a relief.

I related to 'A Clockwork Orange' in a personal way. I was a bit of a thug growing up. It's taken some reform for me. Thank God for artistry and creativity as an outlet.

Often times, music is used to evoke an emotion and it's become a cliche, so I don't want to do that, and actually what I do, is that emotional intensity that has developed throughout the film, I allow it to get released by having that music at the end with the credits.

If you track your organization's creativity by the number of brainstorms on your calendar, you're missing out. It's more important to capture those unplanned sparks of inspiration that so often come when we're cooking dinner, taking a shower, or commuting to work.

It's incredible to see the creativity, beauty and hardships people capture when filmmaking is opened up and shared with the world.