For me, personally, the most interesting music comes from the popular sector - from film and pop music - since contemporary classical music got stuck and went into directions where it lost a lot of the public by over-intellectualizing.

Audiences respond in entirely different ways. One thing is unanimous - music binds us altogether.

The idea of a musical comedy was something we had had in mind for many years, but the project 'Igudesman & Joo: A Little Nightmare Music' has a history that goes back five years. I can say that this is the most successful project that we have ever done.

We're passionate musicians, but we felt classical concerts were more like a funeral because nobody talked and everybody was dressed so conservatively. We thought that's kind of strange, because music is full of life! We thought we could break through that barrier with theater and comedy elements.

Activism isn't about holding your faults up to the light. That's what comedy is about, it's about saying, 'Look at this person who is so flawed and frail and damaged. And we're all this frail and damaged so let's laugh at it.'

In my mind, if you write a comedy where human beings experience pain, you're just being realistic.

I love a man with a great sense of humor and who is intelligent - a man who has a great smile. He has to make me laugh. I like a man who is very ambitious and driven and who has a good heart and makes me feel safe. I like a man who is very strong and independent and confident - that is very sexy - but at the same time, he's very kind to people.

Comedy's about opening up and being unique, but to a point where the audience can relate to what you're saying.