The industry has always had a problem with the 18-to-25 market, but EDM is perfect - a unique identifier for a group in that mental and fiscal state; in their youth, but free to do whatever they want. We filled that void.

If I had a nickel for every time someone asked, 'When are you doing an album?' My career is way too transparent to do say, 'Guess what - I've got 16 tracks you've never heard!'

I don't think anyone's career is so big that they can't know where their major synchs are or where their publishing is going.

I was just trickling releases out slowly and building the Deadmau5 brand slowly. There was never this big marketing machine behind it or anything like that.

I think the Internet is absolutely extraordinary. It's very, very useful and I think one of the things we've got to do is make sure that the African continent gets on to that information super highway.

Through the Internet, I've developed a strong social network - something I could never do if I had to keep my choice of peers within school grounds.

I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.

Just because someone said painting is dead doesn't mean that it's a fact or the truth - painting is the soul food of art, in a way.