We were doing press for this movie that my friends and I made for $5,000 called 'Brothers Justice,' that I also wrote and directed. And during the press of that, people kept saying, 'What's next, what's next?' And my best friend Nate and I - Nate produced it - we kept saying, 'Oh, we're gonna do a car-chase movie next.'

You can't put the Hollywood sign in a movie without paying them. That is a landmark in L.A. I'm sorry, remove it from our skyline, then. You know? How dare they. That should be public domain, right? But it's privately owned, and they enforce that. They sue people. If you see it in the movie, they've paid for that.

I lived for going down the rabbit hole of meeting weird people. Of course, come Monday I would be tallying up all the different situations, and each one was progressively more dangerous. I got lucky in that I didn't go to jail.

I believe in making movies very inexpensively; I think that way too much money is spent on making movies. Enough movies are being made, but not enough experimental ones.

In every new generation, the impulses supposed to have been rooted out by discipline in the child break forth again when the struggle for existence - of the individual in society, of the society in the life of the state - begins. These passions are not transformed by the prevalent education of the day, but only repressed.

To me, music is a luminous experience. Whenever I'm immersed in it, life lights up for me, no matter what else is going on.

I'm very happy for the Contreras family. They're out. Now they've got a chance to experience life the way I did as a kid. You know, his kids are going to have a real chance in life now, and the same way that I had it.

An intense temperament has convinced me to teach not only from books but from what I have learned from experience. So I try to impress upon young doctors and graduate students that tumultuousness, if coupled to discipline and a cool mind, is not such a bad sort of thing.