Home wasn't a pleasant place to live, growing up.

I don't even know what TV star means. I know there's a difference in how people approach you, compared to movies. They feel OK coming up to you and sitting with you in a restaurant, unfortunately.

I've done scenes in films that I felt like the performance was better in certain takes, but they couldn't use them because it didn't match what the person was doing when they came around and the camera was on them.

Part of the problem when I was doing 'How I Learned to Drive' is I would see my kids one night a week for six months, and that was just too hard. We moved to Philadelphia after we lost our house in the earthquake, the '94 Northridge earthquake.

The nice thing about 'Futurama' for me personally was that it was a way to honor some of the traditional ideas in literary science fiction, not so much movie or television science fiction - although we have that too, obviously. Our situation, a workplace comedy, led to all sorts of stuff.

I had a unique circumstance in which my career was associated with George W. Bush, who went straight to the top. I went to work for him in October of 1993. So my whole identity in national politics is associated with this president, and you know, I kind of want to leave it that way. It's not tugging at me to go do the '08 cycle.

I think there are some people who have talent flying out of their fingers and other actors who hone their craft. I am an actor who found their way. I bettered myself throughout my career, and I am proud of that fact.

One of the things when you're drawing a comic book is that you're spending four or five times as long to draw it as the writer takes to write it. In my career I've had to spend a week drawing something that a writer has thrown out in an hour. And there's nothing worse than having to work on something that no previous thought has gone into.