You don't know what you need when you're a young writer. You can get small slivers of critical input, advice, comments, but if you're deep in the perplexity of your own process, as you should be, sorting it out in your own way, nothing is going to guide you more than small gestures of encouragement.

I think that those moments before a performer plays are the moments when the potential for something to be created may - or may not - arrive.

A few days after 9/11, I put the old cassette of 'Born in the U.S.A.,' twisted and worn, on the car deck as I drove past West Point, across the Bear Mountain Bridge, along the Hudson River. It was the perfect moment to hear it.

A kiss is often about the future and the past. A lost dream, about the discretion of the idealism.

Most of the conversation about how geopolitics is changing in the 21st century focuses on the shift from west to east and on how we're moving from the bipolar power equation of the Cold War to a new bipolar relationship, that of the U.S. and China, that determines the mood music for everyone else.

War is horrible because it strangles youth.

I'd been in college studying English creative writing and history when I made the decision to join the Marines in the runup to the Iraq war.

The war was declared over - the end of major combat operations - in May 2003. Release procedures got under way immediately; reducing the population from 8,000 to just over 300, of course, requires fewer military police soldiers.