Music deals with time and timing. It's so magical, but when you get into it, every little sound and every little space between the sounds, it's critical, so critical. And if it's not there, it not only feels wrong, but it ruins things.

Stories hold conflict and contrast, highs and lows, life and death, and the human struggle and all kinds of things.

Building a set is like building a place, but it's a temporary place, because sets usually get torn down. Kind of unfortunate.

As a kid, I was always building things. My father had a shop in the house, and we built things - we were kind of a project family. I started out as a painter, and then painting led to cinema, and in cinema, you get to build so many things, or help build them.

We got bigger, much scarier competitors. We ended up with Microsoft, a company with all the money in the world, the way I look at those guys. And IBM, another company that, historically, dwarfed us.

I worked with everybody, the best, and they actually paid me money to stand next to the people I idolized.

Castro always used the boxers as a symbolic war against American values to demonstrate that they fight for something more than money.

Money has always been a particular problem for revolutionaries and anti-capitalists. What will money look like 'after the revolution'? How will it function? Will it exist at all? It's hard to answer the question if you don't know what money actually is. Proposing to eliminate it entirely seems utopian and naive.