Many dancers are content with the repertoire they're given. Others are dissatisfied but don't know why. Then there are a few like me that are curious and grab at everything. Can that curiosity thrive in the ballet world, or should it exist elsewhere? That's the eternal question.

When I went to Moscow, I felt I was relearning Swan Lake - which was written for the Bolshoi - and being immersed in a tradition and history I had never experienced. It took a while to adjust to living there and learning the language, but now I have lots of friends. I get the best of two completely different worlds.

Every company has its own texture, vocabulary, and singular place in dance history, and I have always wanted to share my perspective of these world renowned institutions.

I think I'm the same dancer everywhere. But I've learned a lot with Bolshoi - the history of the theater, the technique of the theater, different nuances in my technique.

You can be really romantic and put a lot of effort into friendship.

The Federal Government is exploiting public fear to redefine the relationship between the rulers and the American people.

I think 'Tattoo's a song that can go so many different ways. Some people think of it as a break-up song, but, for me, it's about somebody who comes into your life and really touches you - be they a friend, a family member or someone you're in a relationship with.

I think I have a hard time expressing myself in my relationships. I use songs to tell people how I'm feeling. If I can't say 'I love you,' I'll write a song about it and hope that the person figures it out.