Women's fashion is a subtle form of bondage. It's men's way of binding them. We put them in these tight, high-heeled shoes, we make them wear these tight clothes and we say they look sexy. But they're actually tied up.

There are certain things I learned when I first started learning about acting, to try and place the character physically and emotionally. And the way you place them emotionally is often with humor.

I may be learning guitar, but I'll never be able to sing.

My entire life has been an attempt to get back to the kind of feelings you have on a field. The sense of brotherhood, the esprit de corps, the focus - there being no past or future, just the ball. As trite as it sounds, I was happiest playing ball.

I think there's a certain lyricism in the telling of a scientific story.

The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesn't obey the laws of physics, make sure that it has a fantasy explanation.

Except for a God who sits down after the universe begins, all other gods conflict with the assumptions of science.

Movement and physics: These are the fundamentals of animation. You don't notice that stuff if it's done well, but if fabric or liquid or hair moves weird, your brain is like, 'Wait, that's not real.'