You hear stories about directors using manipulation to get actors to do certain things, but I think when you're working with professional actors, it's all about trust. They can do anything you want, it's just a matter of them understanding what you're looking for, and the reason why.

Classical scores go up and down; they're kind of hysterical in a way. And movie scores are much more - they just drive and move forward, and they build and can't go up and down at that same speed. It's a big job to turn that into something that pushes the movie along.

I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances.

As filmmakers, we can show where a person's mind goes, as opposed to theater, which is more to sit back and watch it.