You hear stories about directors using manipulation to get actors to do certain things, but I think when you're working with professional actors, it's all about trust. They can do anything you want, it's just a matter of them understanding what you're looking for, and the reason why.

Classical scores go up and down; they're kind of hysterical in a way. And movie scores are much more - they just drive and move forward, and they build and can't go up and down at that same speed. It's a big job to turn that into something that pushes the movie along.

I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances.

As filmmakers, we can show where a person's mind goes, as opposed to theater, which is more to sit back and watch it.

Those on the downside of rising economic inequality generally do not want government policies that look like handouts. They typically do not want the government to make the tax system more progressive, to impose punishing taxes on the rich, in order to give the money to them. Redistribution feels demeaning. It feels like being labeled a failure.

A lot people have a strong work ethic because they want the lifestyle, or they want the money, but me, I have a hard work ethic because I love the game.

The way we're really going to grow the economy is to invest in people, to invest in innovation, to have the federal government put money in the kind of research that will create the new high-technology, biotechnology industries that will create the millions of new jobs.

I don't work very much, and I just sit here waiting for a script that I can't refuse - and I'm not talking about money.