As a kid, we had one television channel and a sad little roller rink. And there was not much else to do. So I used my imagination all of the time growing up. That's the main way I played. When we moved and I went to high school, I did my first play, and I was completely addicted to theatre. It felt like home; it felt natural.

I'm really attracted to playing strong, outspoken, sassy women. And I love playing characters who have a little bit of conflict or who can be controversial.

I've been pulled over five times for speeding - and talked my way out of every single ticket!

When I'm grateful for all the blessings, it puts away all the stress about things not in my control. Things like long hours, aging, pollution, scandals... it helps me create perspective by just focusing on being grateful. Take that moment twice a day with yourself.

Years have passed since I have set foot in a comedy club. If the comic is doing badly it's painful, and if the comic is doing brilliantly, it's extremely painful.

Because I produce a comedy festival and because I write and all of that stuff, I've seen the relationship that actors can create, in a bad way sometimes, with the rest of the people they work with. I just want to be a good representation of, 'Actors are great! They're not what some people might think they are.'

Comedy as dissent or any art form as dissent is going to be our last safety valve.

It's funny: most people who recognize me on the subway and stuff - it's much more they think of me as a funny guy. I get much more of people telling me how much I make them laugh, actually. Which is nice.