I wasn't very good as a puppet. A lot of times in a movie, you need a really good puppeteer: you're sort of a puppet, and you're doing what you can. But I always, from the beginning, was kind of making up my own stuff from stand-up and sort of directing myself, so I wasn't very good in movies where I didn't have control.

Monty Python never directly said, 'We're liberals' - they just did their sketches, and you had to figure it out. Generally, they were anti-establishment, of course, making fun of the people in power. I think, comedians, that's their job - pointing out what other people might not notice and going, 'Yoo-hoo, over here.'

Every celebrity in the world, if their movie bombs or whatever, they hold their kid up on a magazine and say, 'I'm really a dad.'

I had written in another draft a completely different kind of fight, but they said they couldn't afford to shoot it. They needed a fight scene, though, so I was told to put a fight scene in, but not the one I had written.

I grew up a big fan of the J. R. Ewing character of the 'Dallas' TV show, and I grew up around people who were very similar to J. R.: they had come into a ton of money. And they loved to flaunt it and loved to drive fancy cars and wear the big cowboy hats and nice suits.

I had learned what wealth was, and a great deal about production and exchange for myself in the early history of South Australia - of the value of machinery, of roads and bridges, and of ports for transport and export.

The first time I had money, I was extravagant, but then you realise it's not just about that. If I lost it all tomorrow, it wouldn't be me that's hurt, it would be my babies. It would be more about people's opinion of me that would concern me.

My target is to make the players as rich as possible within the financial constraints of the club. My target is not to give them less money. I'm happy to make them rich.