I don't know how people do this job collaboratively if they don't really get along. You're spending all day every day for months and years on end with somebody.

After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.

If a superhero knocks over a building, and there are 5,000 people in the building that we can presume are now dead, does it matter? Because they're not people we know. But if one dog we like gets run over by a car, it's the worst thing we've ever seen. I totally understand where that visceral reaction comes from. I have that same reaction.

We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.

Traveling has a major impact on what I do, cause all over the world I'm meeting all kinds of people. And relationships is the second major impact that I have. I just enjoy the variety that the world has to offer.

I get emotionally spent answering questions about my dead father and my criminal friends and my upbringing in a hippie environment in a marginalized community.

I had a brilliant trip to Mexico with my friend Ellie during my gap year. We thought we were being really cool and going off the beaten track while all our friends went to Thailand and Australia. The first beachside bar we walked into - there were two girls from my sixth form in there.

I think that having comedy where people talk the way they really talk, when you talk with your friends and whatever, it's really, it's important. Or else you're making stuff that's a little bit watered down and irrelevant.