It's cool to see a bunch of brown kids in the crowd. I wanna be a brown artist that they look up to. I didn't see that many artists with my same culture that I looked up to when I was growing up. The industry has always been whitewashed.

I would try to run when I was barely learning how to walk, so I would just fall.

My parents took me to Sam Ash, and I got a pretty cheap setup - a MIDI keyboard and one of those cheaper mixers - but it was dope, though; it was something. That was kind of how it was: just going to school, skating back home, making music, telling my parents I did my homework.

It's cool to be in your feelings, and it's cool to be sad, and it's cool to feel all of these things.

I wouldn't wish overnight success on anyone. You have no real friends. Everyone works endless hours at different studios, so far apart. Even on your own lot, relationships were formal and often competitive.

I think of some of my friends who have passed to the spirit world but are who here with me when I go to events and when I walk in my own community. My sisters, Ingred, my sister Marsha, and my sister Nielock. All cofounders of the Indigenous Women's Network with me. All long time women activists in the native community.

I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff.

I'm fascinated by adult women who don't have close friends and how that could come to be. I think when you're a kid, the relationships are so intimate, and you're so connected to your girls, so what becomes of them? What could possibly happen to have you become an adult woman and no longer have that?