One of the main things I do is focus on ideas and what stories we decide to tell, but probably the biggest part of my job I'd say is working on the storyboards.

There's a lot you can do without words.

Yes, it's a prequel. It tells the story about how the girls were born with superpowers, but they weren't necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes.

The storyboard artists job is to plan out shot for shot the whole show, write all the dialog, and decide the mood, action, jokes, pacing, etc of every scene.

I've always been independent. My father was in the army, so we moved every two years. I had to go round and bang on the neighbour's door each time to find out if they had kids I could play with.

I don't think children's inner feelings have changed. They still want a mother and father in the very same house; they want places to play.

Leaving the board will relieve me of formal duties and give me more flexibility, but I still expect to spend as much time as possible with the extended family of Ford people and will gladly help the company and the board in any way I can.

My family comes first, and you have to be in charge to be able to protect that. You have to be the one who says no or you don't have a life, which is what I found out the first time.