Growing up as a product of the black civil-rights movement, I had a lot of different models for black weirdness, whether it's Richard Pryor or James Baldwin or Jimmy Walker.

Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.

I started writing in the '90s, so I was free to just have an eccentric career and not conform to some idea of what a black writer has to do. I didn't have the burden of representation.

For me, choosing between fiction and nonfiction is really only about picking the right tool for the job.

I have never doubted. I have had a firm belief in God and the church.

I write for kids because I think the most interesting (and most humorous) stories come from people's childhoods. When I was writing 'Diary of a Wimpy Kid,' I had a blast talking on the phone to my younger brother, Patrick, remembering all of the things that happened to our family when we were growing up.

God as 'He,' as a patriarchal thing, is offensive to me. It's standard fare for America, 'He, He, He.' Every time I hear that it's like another blow against females. It's very radical talk at this point for females to say this kind of stuff, but nationwide I still hear females referring to God as 'He.'

I believe that in order for our democratic system to work as intended, the average person must have faith in their government. Citizens must believe that our system is working to represent them, and that it is capable of advancing issues like healthcare access, lowering prescription drug costs and improving infrastructure.