Stephen Amell
Actor Canada 1981–2020
22 quotes in the archive
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I loved Superman growing up. I saw a couple of those movies in the theater, and I watched 'Superman II' 8000 times.
I was a big wrestling fan growing up. That was my thing. I had the action figures and the magazines and everything like that.
People used to ask me questions on my blog about how to break into the acting industry. You often have to start out in parts where you have very few words, but you still have to try to make an impact.
Canada does a really a phenomenal job of producing music, actors, and entertainers. If you look at the number of people we have in our country relative to the number of people that are prominent in the entertainment industry, it's pretty impressive.
Stephen Amell
I started to book good television jobs in 2010. I started to get really close to exceptional jobs in 2011, and then I got 'Arrow' in 2012. I know how lucky I am because just getting the lead in a pilot doesn't guarantee that that pilot is going to turn into something great.
It's never me saying, 'When is my day over?' It's more, 'When do they legally have to get me off of the lot, based on when I have to be back the next day?' The first call is a big thing in the acting world and in the union world. There needs to be a 12 hour period, and I need it.
I like to give myself a nice run up to a shirtless scene. Physically, it really doesn't make any difference. It's about mentally feeling good about it.
I like vocabulary and I actually read a book called 'Word Freak,' which is about a guy who basically went into competitive Scrabble for a year. But having a big vocabulary and being good at Scrabble are not the same thing.
When I first broke into the acting industry, I taught spinning classes to support myself.
I would love to be nominated for an award at some point or do something that at least engenders the type of cultural conversation that a role like Giancarlo Esposito on 'Breaking Bad,' or actually any of the people on 'Breaking Bad.' I would love to have a role in a feature film that was a cultural talking point.