Johnny Flynn
Musician United Kingdom 1983–present
65 quotes in the archive
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It's great to be able to write songs and draw on life, to write truthfully, and to be able to do that, it's good to be exploring other stuff as well.
If you're trying to do something wholly new, it's hard to fully trust it. But if you use forms that have come before, it lends your music weight and authority. It's also a way to acknowledge that it's not just you who's feeling these things. The emotions are coming through you from a whole history.
I'm not a fan of taking too long in the studio. I always do one vocal take and jump out of the control room, and people push me back in... It's a real turn-off to hear things that are too polished. I feel like I've almost fought for the right to be that kind of musician - we used to be on a major label, and now we're on an indie.
Taking someone else's language and fitting it into your own speech - you learn a lot about other people's brains, doing that.
It's interesting to marry American musical traditions with the subtlety of English-style storytelling and folk singer-songwriters like Martin Carthy and Bert Jansch - they're two heritages that are distinct but also cross over on so many levels.
I've been cast in a lot of comedies. I've done things like multi-cam sitcoms: you know, 'Seinfeld' type... not as good as 'Seinfeld,' but that kind of thing. I love that stuff.
I just said, casually, 'You know, I passed up on auditioning for Einstein.' And my friend was like, 'You idiot, you have to do it!' She made me do it. I sent the tapes off assuming that somebody would say, 'Ha ha, very funny.'
Certain films should only be watched at 40,000 feet. Like, certain comedies and certain, uh, emotionally charged movies.
You might as well acknowledge what came before, because you can never do something wholly new. It's not unoriginal to make your references clear.