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When we grew up, we couldn't wait to get our hands on cars, work with them, change the look of them. Now you see kids being like, 'I'll just take the Uber,' or 'Oh, I don't even have my driver's license yet.' I'm like, 'Ugh, who are you people?' ”
Networks like Adult Swim allow artists to be artists and allow their vision to come through without a lot of tinkering. I worked on 'Moral Orel' and 'Mary Shelley's Frankenhole,' and they bothered us very little. They very, very seldom came to us and said 'Change this,' or 'You can't do that,' or 'We'd like to see this.' ”
I personally think a fight scene is the most cinematic thing you can witness because all the elements of filmmaking come together, you know, with the camera speed changes, editing, make up effects and general smoke and mirrors of trying to make it look like you are hitting someone when you're not. It's filmmaking in it's purest form, I think. ”
I believe we have a higher responsibility to each other. ”
I learned that you have a responsibility to do things when you can. ”
Everything in London is quite good, apart from the weather: it's cold and rainy there, and the winter is long. ”
I like it to look natural, to be smooth, dewy glowy. I like my eyebrows to look nice and I love lip gloss. That's essential to the Saweetie look. ”
There's no dancer alive better than those of the 1950s and 1960s. It's only the energy that changes. Every now and then, someone like me comes along, and people say, 'Oh, this guy is this new thing.' But that's not so. There is no me without them. The tradition just goes on. ”
They all come from the street - tap, jazz and flamenco. And the streets are always changing. If it comes from the streets, change is the only thing that's consistent. ”
I used to think I had this responsibility to carry on this tradition. Now I just feel like I have to keep the dance out there, keep it in the public eye. ”